Talking of Michelangelo is how I wish they would come and go, wearing frothy mustachios made by insignificant sips of cappuccinos as they rage and engage in Easter egg excavations of Sistine ceilings, after examining the minor merits of uncircumcised marbles— all the while wondering if the girth of Black granite would make for more impressive statues.
Talking of Michelangelo is how I wish they would come and go, instead of imposing the present scenario where I am a reluctant link connected to the inane, rust of a REPLY ALL chain being dragged along this tenth floor of The Inferno, a professional hell fraught with brain fever fanned by irate fires of removal requests and the stale scent of piss poor humor attempts.
The entire interminable thread, pulling from the finite skein of my patience, exposing the thin, tender rawness of My Last Surviving Nerve.